Category: Inside Structural Graphics

Trish Witkowski: Direct Mail Evangelist

Trish WitkowskiEducator, author, speaker and award-winning designer Trish Witkowski has curated one of the most comprehensive collections of folded print and direct mail samples and authored seven books for the graphic arts industry. In the last four years, the Rochester, New York native has introduced a growing legion of fans to the value of print marketing through her popular YouTube series “60 Second Super Cool Fold of the Week.”

Now, the self-proclaimed folding fanatic is poised to break into new territory as a direct mail evangelist, creating inspiring educational resources for marketers who may be missing the boat on the power of mail.

Witkowski recently spoke to Structural Graphics about her experience in the industry and what she plans to do next.

SG: Has art always been a passion for you?

TW: I would say I was always artistic. I was class artist, voted most artistic. Always drawn to anything creative. I started studying fine art [in college] and then I just realized there was never going to be any money in it, so I decided to go to a more marketable career and that’s when I switched over to graphic design.

RIT has a world renowned school of print – one of the best programs in the world at the time – so I decided to get a masters degree there to improve my production skills and printing knowledge. That’s really where the interest in folding came around. I had to come up with a thesis topic and something that I was running into as a designer for RIT’s university publications department [was that] we kept using the same few folds over and over.

So when I was coming up with my thesis idea, I decided I’d try to determine how many different ways you could fold a brochure. I thought it was going to be a quick project and it ended up being a seven-year research project that led to publishing FOLD: The Professional’s Guide to Folding.

SG: How did the YouTube series start?

TW: It came to me as an idea in the middle of the night. I was frustrated with not being able to get my message across and not getting people excited about the content. I had a speaking event years ago at one of the big print shows [and] was expecting 30 to 50 people to show up and three showed. I gave my presentation and left with my tail between my legs. That day I realized I had a choice. I could give up on this whole thing because nobody’s ever going to get it or I can reinvent myself. And that’s what I did.

I had this idea and I decided to give it a funny name, “60 Second Super Cool Fold of the Week“, and have something fun and different every week and that’s how I came up with the slogan on my shirts. You can use the word ‘fold’ in just about anything and it makes sense. It’s been a fun hook to keep people watching.

SG: Do you think today’s marketers are savvy about direct mail?

TW: I would say there are certainly marketers today who are very savvy in mail, however I think there are a lot of people that need to learn more about it. Mail has an image problem. There’s this idea that technology trumps mail and mail is old school. What I hope to push out into the industry is really compelling evidence of how successful people are with mail. You combine highly targeted mail with a really great mailing list, an interesting format, a solid message and a compelling offer and it’s magical. I think people need to get re-acquainted with mail.

SG: What are the most important components to an effective direct mail piece?

TW: The biggest most important thing is audience. It doesn’t matter how creative and beautiful the piece is if it doesn’t fall into the right hands. You have to get your audience right first. Then, once you’ve got the audience, you need to give them a compelling offer, a reason to act. Those are the two most important things. If it’s not to the right person or if the offer isn’t compelling enough none of the other stuff matters.

SG: Do you think direct mail works better for some companies than others?

TW: I don’t. I have a sample of a direct mail piece sent by an email marketing company. Even email marketers are sending mail. I think any business can benefit. I’m not just trying to be all-inclusive and broad. I really believe that because marketing is a relationship. I don’t see mail as the single point of contact. I see it as part of a cross channel marketing type of approach. You might send an email sometimes to compliment your direct mail or do a web ad or other types of marketing too, but mail is a wonderful way to connect and create a relationship with your audience. It’s not as old school as people think. It really can carry different types of technology and drive people to other ways to be in touch with the customer.

SG: Moving forward do you see your role changing?

TW: It’s definitely going to continue down the educational path. It’s pretty neat I’ve been able to craft a career that’s interesting and fun to me. And to be able to share and inspire other people in the industry and ultimately promote print and the value of it.

These days people want information and inspiration so I do a lot of speaking, video and writing – and I’m bridging into online learning. I’ve really gotten interested in direct mail. It’s an incredibly valuable marketing tool. It’s evolved for me from just about format to the whole process of creating effective marketing communications. Although I still am collecting things like crazy and all about formats and techniques. [Now] I’m talking about the process involved as well and getting results. Not just saying, ‘here’s a great idea for a cool format’ it’s more like ‘here are all the things you need to think about and here’s how format plays a role.’ Once people know how to use [direct mail] and what their options are I think they can really get tremendous payback from it.

[PHOTOS] A Night to Remember With Invercote

Structural Graphics definitely had “A Night to Remember” at Invercote’s exhibit celebrating design at the Glass Houses at the Chelsea Towers in New York City, which we recently blogged about.

Below are images from the event, with snapshots of the amazing work on display (including our own!) and the SG crew.

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Structural Graphics Designer Isabel Uria at Invercote's event.

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VP of Creative, Structural Graphics, Michael Dambra

Michael Dambra, vice president of creative at Structural Graphics at the event.

Isabel Uria, Structural Graphics designer

Isabel Uria, Structural Graphics designer and paper engineer during her 3-D design presentation.

Structural Graphics Gina Block at Invercote event

Gina Block, creative brand manager at Structural Graphics chats during the event.

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Victoria’s Secret packaging design by Structural Graphics.

Structural Graphics direct mail

Direct mail piece, highlighting the event.

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Structural Graphics Brings Home Two Awards at CADC Awards

Last week, Structural Graphics was awarded at the Connecticut Art Directors Club (CADC) Annual Awards ceremony themed “Innovation Over Automation.”

Structural Graphics, a 3-D print and design shop based in Essex, Conn., received two awards for its 2012 Holiday Card and education campaign in the greeting card and self-promotion categories.

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“It’s a great accomplishment to be recognized for our self-promotional work and a testament to the creativity and innovation we bring to our client’s work,” said Heather Ertel, director of marketing at Structural Graphics.

The CADC awarded gold, silver and excellence medals in 12 different categories that ranged from print to broadcast and digital design. Artists were awarded for best in show, printing, judges’ picks and the Richard Hess Spirit of Creativity Award, which exemplifies innovation or excellence.

SG Designers receive CADC awards

Above, Structural Graphics’ Gina Block, creative brand manager and Erik Hluchan, creative director with the award winning pieces.

The awards were judged by five accomplished artists specializing in design, photography, painting and visual communications. Approximately 140 awards were given to Connecticut agencies and studios at a ceremony at New Haven Country Club.

The CADC is a network of creative professionals in the design and communications industry. Its mission is to promote excellence in the visual communications arena and encourage communications professionals and students to share and be creative with one another.

SG Designer Creates 3D Paper Design for LOUIE Awards

Isabel Uria, designer at Structural Graphics created complex 3D paper design for LOUIE awards gala last week.

Isabel Uria, a designer and paper engineer at Structural Graphics, a 3D marketing design shop, created a complex 3D paper design for the LOUIE awards event, last week.

Uria describes the LOUIE awards as “what the Oscars are for film; the LOUIE awards are for greeting cards. It’s the most prestigious award for my field and for people who make greeting cards for a living.” This year’s show had the theme: “The Artist & the Card”.

The LOUIE awards – now in its 25th year – is an official international greeting card awards competition named for Louis Prang, who created America’s first Christmas card. The event began in 1988 as a way to recognize top paper designs and designers. Ceremonies are held each year in New York.

Uria began working on the piece after months of planning and sketching. She was inspired by both the event’s theme and branding. “The strongest visuals [were] a blue and red frame that looked like an old mailing and the text, [which] was very flowy with lots of beautiful, elegant curves and birds. I started looking at bird patterns and movement, and flying. I wanted to reference a little bit of romantic idealism,” she says. “I am a hopeless romantic about many things, especially stories and fairy tales. This year’s theme made me think of when people used to write to each other. For example, how pigeons were used to deliver messages at times of war. The flying birds became symbolic of messages, and in my piece I freely try to interpret flying birds becoming flying paper airplanes, which are equivalent to flying messages or cards.”

Her piece honored nominees and applicants while entertaining guests as they arrived at the gala. Its incredible size and scale, gave guests the sensation of walking through a tunnel and embedded throughout the design were approximately 200 paper airplanes, each one honoring the names of companies representing the artists who were nominated for an award, as well as those who won.

“There were a lot of people that kept looking for their planes to take a picture. They were entertained by that. It definitely made it special for them.” says Urias.

After months of laboring, her design was on display for one evening and after the event, disassembled to remove. “The piece is no longer in existence. I kept a few pieces but that’s all that’s left,” Uria says. “It was well-documented; it lives on in photography.”

A graduate of the Maryland Institute College of Art (MICA), Uria worked as a freelance graphic designer and paper engineer in Baltimore, when she met design engineers from Structural Graphics at an event in New York in 2011. The meeting led to a job offer nine months later and she officially began at Structural Graphics in May of last year.

“Each project is a thing of its own, [but] a project of this magnitude always spirals, and gives me ideas for other things I could do,” Uria says.

Structural Graphics Unveils Newly Redesigned Website

Structural Graphics new website resized 600The next time you visit Structural Graphics online you’ll discover a hip one-stop design shop with a (big) passion for dimensional paper design.

The company recently overhauled their site with all new designs, images and content. The resulting template is bright, fresh and modern.

“The goal of the redesign was to provide users with ease of navigation, inspiration to our clients and prospects, and to portray a sense of community around our designers, paper engineers and also our community in Essex,” says Heather Ertel, director of marketing.

The niche marketing and design shop is located in Essex, Connecticut, a town noted as “The Perfect Small American Town” in Norm Crampton’s “The 100 Best Small Towns in America”, and listed as a destination in the travel guide, “1,000 Places to See Before You Die”.

The redesign successfully exhibits Structural Graphics’ marketing and design work in a bigger way. Large photographs and image galleries pepper the site – giving users an up-close-and-personal view of the incredible and 3 dimensional design projects Structural Graphics is known for doing.

“We wanted to give people a sense of who we are. Our goal was to portray our work with bigger photography, more image galleries and to categorize our capabilities, not just by application, but by use; so visitors could start to have an understanding of the various ways they can use the work we put together,” Ertel explains.

Structural Graphic’s new website not only shows that they do amazing things with paper design, but that they know how to incorporate that medium with today’s technology – from web keys and personal URLS to QR & AR codes – to drive traffic online too.

Among the site’s new features are in-house designer biographies to help people learn more about Structural Graphics’ creative department, and a new “My Lightbox” application, which allows users to save their favorite products for inspiration or future use. The site also integrates with social media, so sharing is easy on social networking sites like Facebook, Twitter and Pinterest.

For Structural Graphics, the new website is a step towards reinvigorating the beauty of paper design. “All things old are new again. Interesting printmaking techniques are making a resurgence and people are seeing the beauty of [paper again],” Ertel says.